My Drawings at Bennington Museum November 24 -December 28, 2017

I have been invited to create a work that responds to a Nicols Goddard early 19th century clock in the Bennington Museum Collection. This work will be exhibited in a group show titled "Time for the Holidays" and is for sale, a silent auction and fundraiser for the Museum. 

Bennington 15,30,45,60.  Graphite on paper, each drawing 7.5" X 7.5", 2017

Bennington 15,30,45,60. Graphite on paper, each drawing 7.5" X 7.5", 2017

My artist's statement for the exhibit: 

For this set of drawings I hammered a gear similar in age and form to a component in the Nichols Goddard Clock. I placed the gear in the center of each square of paper (with graphite transfer paper in between) and struck the gear repeatedly. Each time I hit the gear with the hammer it moved. I used time as a parameter for the work; viewing these series in a clockwise direction from the upper right quadrant drawings were made in 15, 30, 45 and 60 second intervals. These time frames reference the markings on the face of the Nichols Goddard clock. While this work is silent and static as displayed, the process of making the drawings encompasses sound and movement, resonating with like qualities of the Goddard clock as it works to keep time.

Visiting artist at The Front Gallery, October 6- November 18, 2017

I am grateful to be invited to exhibit in my home town of Montpelier Vermont. thank you to the collective gallery members of "The Front" for inviting me to join you in October and November of 2017 as a visiting artist.

Entangle 14, Graphite, colored pencil and watercolor pencil on paper, 30" X 22.5", 2016

Entangle 14, Graphite, colored pencil and watercolor pencil on paper, 30" X 22.5", 2016

My installation "Drawn Out" and my drawings at Artspace in New Haven through January 25th

The exhibit as opened, the installation is complete! here is an image of "Drawn Out", 10' X  13' X 7', Ribbon, Lead, Carabiners and Steel, 2013. Three lead weights create a tensile force on the horizontally woven ribbons; this force helps to shape the main volume of the piece. The counterweights are connected to the main form by satin ribbons strung through a series of carabiners, mounted on the ceiling and the wall, that redirect the tensile force created by the lead weights.

Jeff Bergman, Associate Director  at Pace Prints curated the show "Flat/Not Flat" for which I created this work. The work of Jennifer Davies, Karen Dow, and Martha Lewis is also on exhibit here and it is all well worth seeing. Artspace has some funky hours over the holidays - Artspace is open Wednesdays & Thursday from 12-6pm, Fridays & Saturdays from 12-8pm. The gallery is free and open to the public. Artspace will be closed for Thanksgiving November 27-30th and between December 18th and January 7th."

Drawn Out front view web

Below: "Ribbon 13", 22" X 22", Graphite on Paper 2013

Ribbon 13 web

 

 

Curator Jeff Bergman wrote this on his blog "Atlas".

"Alisa Dworsky built something quite remarkable with Drawn Out.  It conforms to the space without overtaking it, but makes a huge impact.  For me, the piece becomes a one quarter slice of the axis of the planet.  The architecture of our world.  Dworsky and I were able to discuss materials, spaces and methods, but nothing could have prepared me for the physical reality of the piece.  Alisa took ribbon, hardware and weights and made a space born of physics and air.  Her drawings quite literally flatten the piece using ribbon and graphite.  The erasures and the grissale line fills me with the joy that usually only Celmins and Ruscha can."